NMIT pageImage
NMIT - Bachelor of Australian Popular Music
   
  > Home > Higher Education - Degrees and Associate Degrees > Degrees > Bachelor of Australian Popular Music
 
 
Course Information

bulletPoint Specialist Facilities
bulletPoint Teaching Staff
bulletPoint Learning Environment
bulletPoint Course Overview
bulletPoint Duration
bulletPoint Entry Requirements
bulletPoint Recognition of Prior Learning
bulletPoint Application Procedure
bulletPoint Commencement Date
bulletPoint Tuition Fees
bulletPoint Employment Outcomes
bulletPoint Course Outline


NMIT recognises the Australian Qualifications Framework (AQF) qualifications and statements of attainment from any other RTO.

 

Bachelor of Australian Popular Music

Course Code: HEASSAPM
CRICOS Code: 057091K

The Bachelor of Australian Popular Music is for students interested in music performance, music technology, music theory, music culture, creativity and music business management.

Course Location and Contact Information

Performing Arts Department
Fairfield Campus
 
Head of Program/Senior Lecturer, Music - Higher Education: Nick Haywood
Phone: +61 3 9269 8832
Email: nickh-pa@nmit.vic.edu.au
 
Lecturer, Music - Higher Education: Adrian Sherriff
Phone: +61 3 9269 8948
Email: adriansherriff@nmit.vic.edu.au
 
Lecturer, Music - Higher Education: Greg Arnold
Phone: +61 3 9269 8949
Email: gregarnold@nmit.vic.edu.au
 
Lecturer, Music - Higher Education: Eugene Ball
Phone:

+61 3 9269 8949

Email: eugeneball@nmit.vic.edu.au
 
Administration, Music - Higher Education: Mary Vassilacos
Phone: +61 3 9269 8929
Email: maryv-rd@nmit.vic.edu.au

Specialist Facilities

  • A music technology laboratory with state of the art Macintosh
    computer workstations and music keyboards.
  • A recording studio includes a ProTools TDM system, synchronised recordings and digital tape recording options.
  • A Digital Audio editing facility is designed around a fully automated ProTools TDM system.
  • Solo practice rooms are equipped with audio playback facility, a
    keyboard or piano, and instrument amplifier(s). Each room has
    customised soundproofing.
  • A performing arts theatre designed for the rehearsal and
    presentation of performances to an audience.

Teaching Staff

The Bachelor of Australian Popular Music is taught by qualified academic staff supported by highly experienced industry practitioners.

The Learning Environment

  • A supportive learning environment with small classes and supervised hands-on experience.
  • Practical involvement with industry through NMIT’s music facilities and through industry experience.
  • A combination of theory and its application in industry-scale facilities supported by academic staff and industry practitioners.

Course Overview

Within the context of this course Australian Popular Music is defined as any music performed in contemporary Australian society. This may include jazz, classical, pop/rock, and world music amongst other styles. This program of study provides students with the flexibility to pursue their stylistic preferences, whilst developing detailed knowledge and understanding of the wider Australian music scene.

The course has four strands of learning, namely Music Tools and Language (music theory); Music Practice (creative techniques and skills in music performance); Applying Music Technology (the creative and artistic application of music technology) and, Music, Culture, Creativity and Music Business.

Duration

Full-time - 3 years or part-time equivalent

Entry Requirements

  • Year 12 VCE with music (group and/or solo performance) or equivalent studies, or
  • TAFE Advanced Diploma course in Music, or
  • Relevant industry experience that demonstrates capacity to undertake work at degree level. Normally, relevant industry experience would be defined as professional engagement in the industry as a performer, composer, or producer over a period of several years.
  • Audition
    NB: The selection process will be on the basis of an audition.
    This is the principal process of selection of most music degree courses in Australia and is the most effective and equitable way to recruit students when there are more applicants than places.
    The audition process will involve testing of music theory knowledge, instrumental or vocal technique and technical routines, performance skills, aural skills and music reading skills. Detailed guidelines for the audition process will be provided in advance to all applicants for the degree.
    Approximate AMEB level equivalent for audition:
    Sixth grade practical and fourth grade theory.
  • An additional requirement for international students is:
    International English Language Testing System (IELTS) 6.0
    IELTS @ NMIT

Recognition of Prior Learning

Applicants may seek recognition for prior learning where work of an advanced and related nature has been undertaken.

Application Procedure

Domestic Students:
Apply through VTAC.
Audition: Contact NMIT for requirements

International Students:
Apply through NMIT’s International Office.
Contact NMIT International Office

NMIT - Arrow

Commencement Date

February

Tuition Fees

Full-time: AUD$12000 p.a.
Part-time: Part-time fees are pro rata and determined by subject load.

No amenities fees are charged for any higher education courses.

bulletPoint FEE-HELP

Employment Outcomes

The vocational outcomes for students exiting the course at associate degree level include: self-employment as a performer, arranging sound engineer, songwriter, small business operator, sound creator and sound technician.

The vocational outcomes for the students awarded the bachelor degree include self-employment (small business), employment in small businesses or employment in organisations as a composer, arranger, performer, music producer, audio engineer, music programmer, music director, creative director, music business manager, private studio teacher, or community music director, as well as in specialist jobs in music media, music equipment retail, music equipment wholesale, record companies, music publishing companies and other music business and music production companies.

Course Outline

Year 1 Semester 1

APM101 Contemporary Music Theory 1
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of Contemporary Music Theory 1 is to develop knowledge of the principles and notational practices in western music with a focus on contemporary popular music. This involves a study of western music theory and practice that will provide a foundation for the creation of original contemporary music. This subject requires the student to develop music keyboard technique in order to facilitate the practical application of concepts. The subject will provide an introduction to the requirements of degree level study including essay writing, self-directed study, independent practice and the development of a music folio.

APM102 Introduction to Music Computer Technology
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of Introduction to Computer Technology is to provide an introduction to the use of computer technology in the creation of contemporary music. The subject will provide an historical overview of the development and application of computer technology in contemporary music, an evaluation of the artistic use of computer technology and the practical application of computer technology for music production and publication.
This subject will focus on the development of computer-based skills for music production and publishing. This will include an evaluation of computer platforms and software application. The development of practical skills will be through the creation of music works on a computer.
The subject will provide an introduction to the requirements of degree level study in music-based technology.

APM103 Contemporary Popular Music 1
(EFTSL 0.125)
(Subject Cost $1500)
Contemporary Popular Music 1 is the first in a sequence of six subjects that aim to develop knowledge of contemporary popular music styles, instrumental technique, creativity and a musical repertoire applied in performance. The subject provides a thorough grounding in the application of theory, the development of technical routines and musicianship. In this subject the stylistic focus of ensemble work is contemporary popular music. The development of ensemble skills will be informed by an exploration of the major developments of popular music and its associated performance culture in the Australian context. Ensemble studies will require students to develop performance skills through collaboration in group practice and performance.
The development of solo performance skills is through an individual program of one-to-one instruction on a principal instrument or voice. The solo performance part of this subject aims to encourage the student to pursue their individual stylistic interests and to integrate contemporary popular styles’ studies in ensemble work. The focus will be on the development of instrumental technique, self-expression, originality and repertoire.
The subject will provide an introduction to the requirements of degree level study in music that involves personal practice time, critical review and self directed learning. There will be an emphasis on self-reflection and collegiate learning in ensemble performance work.

APM104 Music and Culture
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of this subject is to examine the functions of music across a range of societies. The study will be informed by anthropological and sociological theory in order to identify and analyse the relationships between music and culture.
The subject will provide an introduction to the concept of culture and examine the ways in which music may represent the culture of groups and individuals within and across different societies. This examination will be undertaken through an analysis of case studies and through a deconstruction of the relationship between music and culture of different societies. The examination will include an investigation and an interpretation of musical sound, aesthetics and performance. Through this examination the student will develop insight into the ways in which music is an agent of multiple and complex functions in society. The subject will provide an introduction to research methods, academic essay writing conventions and techniques for the oral presentation of research
findings.

Year 1 Semester 2

APM105 Contemporary Music Theory 2
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of Contemporary Music Theory 2 is to develop knowledge of the principles and notational practices in contemporary music including jazz and popular music. This subject builds on the concepts developed in Contemporary Music Theory 1. This involves a study of contemporary music theory and practices that will provide a foundation for the creation of original music. The subject requires the student to extend music keyboard
facility, further develop notational accuracy and to develop a knowledge of notational practices for jazz music. This subject includes an historical study of the development of harmonic practices in western music including jazz and popular music.
The subject will continue the development of an ability to critically analyse and evaluate structures in music and the relationship between standard forms and broader notions of musical structure. The subject will include research into and analysis of harmonic development in western music alongside the development of keyboard skills and the production of a music folio.

APM106 Live Sound and Studio Recording
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of Live Sound and Studio Recording is to examine approaches to live sound reinforcement and to explore recording techniques and processes in a recording studio environment.
The subject will provide an historical overview of the development and application of audio recording technology, a study of acoustic concepts, an evaluation of audio reinforcement and studio tools, an evaluation of artistic processes used in a studio environment, and this application of technology.
The subject will focus on the development of audio recording skills in a studio environment using digital and analogue skills technology in the context of an evaluation of the tools, creative techniques and innovative approaches to audio recording. The development of practical skills will include the application of live sound reinforcement and recording equipment in the production of music.

APM107 Contemporary Popular Music 2
(EFTSL 0.125)
(Subject Cost $1500)
Contemporary Popular Music 2 is the second in a sequence of six subjects that aim to develop the technical and creative skills in music performance. The subject aims to advance the standard of solo and group performance and will require students to demonstrate conceptual, technical and interpretative development. The program of repertoire material will include technical exercises.
In this subject the stylistic focus of ensemble work is western contemporary popular music within the Australian context. This subject builds on the skills and repertoire developed in the previous subject. The development of ensemble skills will be informed through an exploration of the major developments of popular music and its associated performance culture within Australia. Ensemble studies will require students to develop performance skills through collaboration in group practice and performance. The development of solo performance skills is through an individual program of one-to-one instruction on a principal instrument or voice. Solo performance will encourage the student to pursue their individual stylistic interests and to integrate contemporary popular music styles studied in ensemble. The focus will be on the development of instrumental technique, self-expression, originality and repertoire.

APM108 Australian Music and Culture
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of this subject is to examine the socio-political contexts within which music is created, produced, promoted, performed and consumed in Australia. The subject will make distinctions between broad Australian contemporary popular music and culture and smaller contemporary subcultures in Australian society. The subject will include an examination of the role of the mass media, the Internet, global music corporations, corporate marketing in contemporary western popular culture.
This subject builds on the knowledge and concepts developed in
Music and Culture and applies this knowledge to the Australian context. The student will investigate the social, historical, economic and political factors that contribute to the development of Australia’s contemporary music and culture. There will be an examination of the interrelations between music and culture in Australia and the development of distinctive Australian music and cultural identities.

Year 2 Semester 1

APM201 Arranging Principles 1
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of Arranging Principles 1 is to develop knowledge of the principles of arranging and the practice of independent part writing in western contemporary music. This study will build on the knowledge developed in previous subjects and will provide the student with a foundation for developing the ability to compose original music using western notational conventions. The study of Independent part writing will focus on the development of 2, 3 and part arrangements. This will include an historical analysis of music forms and structures. The student will develop short extracts and perform them vocally and instrumentally.
Arranging concepts includes a study of the application of instruments and scoring techniques. The student will be required to develop short arrangements for up to four instruments in a contemporary style of their choice. This subject includes an historical study of the development of notational practices in western music and an historical analysis of form in western music. The subject will further develop the ability to critically analyse and evaluate the theoretical structures in music and the relationship between form and structure.

APM202 Technology in Music Performance
(EFTSL 0.125)
(Subject Cost $1500)
Technology in Music Performance is the third in a sequence of six subjects. The purpose is to explore the application of technological tools in music performance. In this subject the student will investigate music technology in the context of technology as a creative tool in music performance. The subject will provide an historical overview of the development and application of technology in electronic music performance, a critical evaluation of the artistic use of music technology, an examination of methods and technological issues in relation to the performance of interactive music.
In this subject the student will analyse the historical application of technology in music performance, examine and evaluate technological tools for automation and interaction in music performance, present improvised performances using technology as a compositional tool.
Assessments will require the development and presentation of an interactive technology based music performance. The subject encourages students to be creative in their utilisation of technological tools in a music performance setting. The study in this subject will build on the knowledge developed in previous subjects and will provide the student with a forum for the further development in the application of technology. The subject
will require independent research into the historical application of technology as a creative music tool. Independent practice will be required in the development of an interactive performance.

APM203 World Music 1
(EFTSL 0.125)
(Subject Cost $1500)
World Music 1 is the third in a sequence of six subjects that aim to develop the technical and creative skills in music performance.
In this subject the stylistic focus of ensemble work is world music traditions as practiced in Australia. Practitioners of selected local world music traditions (e.g. Greek, Spanish, Celtic, Romany, Jewish) will be invited to be teachers in the program. At least two genres of world music will be selected for this subject.
Ensemble skills will be developed through an exploration of world music traditions in Australia and their associated performance cultures. Ensemble work will require the student to develop vocal and percussion skills (or other instrumental skills appropriate to the world music traditions selected) and the student will extend ensemble techniques through collaboration in group practice and performance.
The development of solo performance skills is through an individualised program of one-to-one instruction on a principal instrument. Solo performance will encourage the student to Australian Popular Music
pursue their individual stylistic interests to integrate contemporary styles studied in ensemble and to further conceptual and technical skills development. The focus will be on the development of instrumental technique, self-expression, originality and repertoire.
In this subject, performance-related issues focus on the nature of the interaction and relationship between performer and audience, continued development of criteria for self-evaluation, continued development of practice routines and defining music performance goals.
The subject will continue to emphasise the requirements of degree
level study in music that involves personal practice time, critical review and self-directed learning. There will be an emphasis on self-reflection and collegiate learning in ensemble performance.

APM204 Creativity and Performance
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of this subject is to examine creative practices and to explore means of self-expression for creative performance. In this subject the student will explore the concept of creativity and the ways in which creativity and artistry is developed over time and through self-reflection.
The student will research and analyse the conditions that foster musical creativity, the physiological and psychological aspects of creativity and individual learning styles. As part of the study of creativity the student will develop a personalised plan for ongoing creative development. This plan will involve an analysis of the research on creativity and a critical self-assessment of creative strengths. The analysis will provide a personal platform for creative independence and self-direction.
In this subject the student will examine methods and tools for self expression in a performance setting. This will include engaging
with the theatricality of performance. The student will investigate approaches to the application of these performance tools and integrate techniques into creative work. Utilising techniques including awareness of space, movement, acting and design the student will develop a sense of performance as an event.
The study of creative processes and creative performance techniques informs the student for life and workplace environments. The skills and knowledge in this subject can be applied to creative problem solving, the management of diverse groups, the encouragement of creative thinking, fostering creative development and creative output.

Year 2 Semester 2

APM205 Arranging Principles 2 and Musical Analysis
(EFTSL 0.1)
(Subject Cost: $1200)
The purpose of Arranging Principles 2 and Musical Analysis is to extend knowledge of arranging principles and to provide an introduction into methods and analysis of world music. Studies in this subject will build on the knowledge developed in previous subjects and will provide a forum for developing compositional craft.
Arranging principles will focus on western music styles and will require the student to investigate the principle of arrangement for groups of instruments within individual sections. Instruments studied will include those used in orchestras and contemporary popular music ensembles. The student will explore instrument section textures and advanced instrumental techniques. The student will be required to apply concepts and develop original works in a style of his/her choice. Developed works will be performed by students and/or visiting artists.
The musical analysis component will focus on a more general approach to understanding the construction of music by making aural comparisons of the elements of timbre, texture, scale structures, modal and harmonic systems, rhythmical and metrical organisation and micro- and macro-structural principles across a variety of world music traditions. Students will explore ethnomusicological methods of transcription and the problems of using western notational practices to represent world music.
The subject will require self-directed study, independent practice and the development of a music folio.

APM206 Sound Creation
(EFTSL 0.1)
(Subject Cost: $1200)
The purpose of Sound Creation is to develop technical knowledge and practical skills of audio sampling techniques, music synthesis and audio manipulation.
This subject will provide the student with an in depth study of the representation, perception and creation of sounds. The student will be required to develop a technical understanding of the structure of waveforms through an examination of synthesis, sampling and audio editing techniques.
The initial focus is on the sound characteristics of acoustic instruments. This will provide a basis for the student to examine the principles of sound, replicate sounds through synthesis and to develop new sounds.
The subject encourages the student to be creative in their approach to sampling techniques and the manipulation of data.
The study in this subject will extend the knowledge developed in previous subjects and will provide the student with a forum for the application of technology. The subject will require independent practice of sampling and synthesis techniques, creative application of technology and research into the technical representation of sound.

APM207 Original Music
(EFTSL 0.1)
(Subject Cost: $1200)
Original Music is the sixth in a sequence of six subjects that aim to develop the technical and creative skills in music performance.
In this subject ensemble work will focus on the composition, arrangement and the performance of original repertoire and creative performance presentations. The stylistic focus of ensemble work is unspecified. Through negotiation and collaboration students will determine a stylistic focus for the group. In this subject the student will extend ensemble techniques through collaboration in group practice and performance.
The development of solo performance skills is through an individualised program of one-to-one instruction on a principal instrument. Solo performance will encourage the student to pursue their individual stylistic interests and to integrate concepts studied in ensemble. The focus will be on the development of instrumental technique, self-expression, originality and repertoire.
In this subject solo performances will reflect application of extended instrumental techniques and the use of creative improvisation.
In this subject, performance related issues continue an examination of the recognition of music performance opportunities, continued development of criteria for self evaluation, continued development of practice routines and defining music performance goals.
The subject will meet the requirements of degree level study in music through an emphasis on composing and arranging original music on self-directed learning and practice time, independent research and reflective practices. The subject will require the student to consolidate and extend knowledge and skills developed in previous subjects.

APM208 Business Management for Musicians
(EFTSL 0.1)
(Subject Cost: $1200)
The purpose of this subject is to investigate business theories, principals and practices and their application in the Australian music industry to enable the student to establish a sustainable arts practice. The subject aims to develop organisational and personal management skills for working in a range of workplaces in the music industry, examine the concept of entrepreneurship, role of the entrepreneur in the music industry and ways in which creative and innovative ideas are transformed into a business strategy.
The subject will examine the structures and operation of the Australian music industry in the context of the global economy and competition, the widespread use of technology and its business applications and the increasingly complex political, regulatory framework in which people in the music industry work. The subject encourages the student to critically examine the music industry in Australia so that as practicing musicians they will be able to professionally create, manage, promote and market music projects in a range of contexts.
The subject will develop knowledge of the current issues in the music industry and the place of music in arts policy and the wider arts context. It will develop knowledge of legislative framework, the legal framework including standard music industry contracts, copyright, Occupational Health and Safety, management practices and organisational structures within the music industry.

APM209 Professional Music Practice
(EFTSL 0.1)
(Subject Cost: $1200)
The purpose of Professional Music Practice is to apply knowledge and skills acquired in lectures and tutorials. Professional Music Practice is designed to achieve three objectives. The first is to provide a practical context to apply the theory gained during the lectures and tutorials. The second objective is to provide the student with an opportunity to compare and evaluate the knowledge gained in their first year of studies with what is actually taking place in practice. The third objective is to provide the student with the opportunity to develop workplace skills and experience that are important when seeking employment.
Professional Music Practice is structured to provide the student with experience in a variety of music-related fields of study. To ensure the quality of the experience, the enterprise must be approved by NMIT, and be of relevance to the program of study.
Professional Music Practice is scheduled to take place during the second year. This placement will provide the student with a practical context in which to apply the theoretical knowledge gained in the second year of the course.

Year 3 Semester 1

APM301 Music for the Moving Image (Composition and Analysis)
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of Music for the Moving Image (Composition and Analysis) is to analyse the use of music in film and the relationship between music and the moving image.
This subject will provide the student with a detailed examination of music and the moving image including, an historical analysis of music in films, exploration and application of compositional and orchestration techniques to support dramatic effect, an investigation into the collaborative nature of film scoring, an overview of film music career opportunities and business issues. The subject will continue the development of critical analysis and evaluation of the structures in music and will investigate the concept of emotion in music for dramatic effect. The subject will include a study of film scores by Australian composers.
In this subject the student will analyse acoustic and synthesised scores. Composition of music cues developed will focus specifically on the application of acoustic instruments. The subject is to be taken in conjunction with APM302 Music for the Moving Image (Composition and Production).
The subject will require consolidation and extension of compositional techniques developed in previous subjects, independent research and development of a music folio.

AM302 Music for the Moving Image (Composition and Production)
(EFTSL 0.125)
(Subject Cost $1500)
Music for the Moving Image (Composition and Production) is the fifth in a sequence of six subjects. The purpose is to develop skills and knowledge of the technological requirements for creating music synchronised to moving image. In this subject the student will examine technological tools for synchronised music and moving image, conduct a scoring session integrating acoustic music, synthesised music and synchronised film, mix music and images, examine file formats for finished product and file interchange. This subject will require the student to work in close collaboration with musicians, film directors and technical personnel. The student will be required to establish working relationships with personnel in order to complete assessments.
Project work in this subject requires the integration of acoustic compositions and synthetic instruments. Critical analysis of compositional craft in film music is addressed in Music for the Moving Image (Composition and Analysis). The study in this subject will require consolidation and extension of the knowledge and skills developed in previous subjects and will provide the student with a forum for the application of technology. The subject will require independent practice of compositional craft, application of technology, sourcing of industry networks and contacts.

APM303 World Music 2
(EFTSL 0.125)
(Subject Cost $1500)
World Music 2 is the fourth in a sequence of six subjects that aim to develop the technical and creative abilities in music performance. This subject extends the skills and knowledge developed in the previous subject, World Music 1. The stylistic focus of ensemble work is world music traditions as practiced in Australia. Local practitioners of at least two selected traditions (e.g. Baltic, West African, North Indian, Cuban, Chilean, Vietnamese, Chinese, Turkish) will be contracted as teachers in
the program. The traditions selected for World Music 2 will be different to those programmed in World Music 1. Ensemble skills will be developed through an exploration of the selected world music traditions in Australia and their associated performance cultures. Ensemble work will require the student to develop vocal skills and percussion (or other appropriate instrumental) skills and the student will extend ensemble techniques through collaboration in group practice and performance.
The development of solo performance skills is through an individual program of one-to-one instruction on a principal instrument. Solo performance will encourage students to pursue their individual stylistic interests and to integrate contemporary world music styles studied in ensemble. The focus will be on the development of instrumental technique, self-expression, originality and repertoire. In this subject, performance-related issues focus on the strategies for the management of performance anxiety, continued development of criteria for self-evaluation, continued development of practice routines, defining music performance goals and sourcing non-western music performance opportunities/ forums.

APM304 Music Leadership 1 – Instrumental Teaching and Ensemble Direction
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of this subject is to develop knowledge of the principles and practices related to instrumental music tuition and to apply the knowledge and teaching strategies by developing, implementing and reviewing a program of individual instruction.
The subject will include an examination of teaching theories, principles and practices for individual and group tuition. The subject will examine educational, cultural, philosophical and artistic issues in relation to instrumental music teaching and the management and direction of ensembles.
The subject will focus on the design of practical music programs, the methods for learning practical music, the development of instrumental music teaching methods, teaching strategies for instrumental and ensemble direction and the management of learning environments. The subject will include a comparative study of instrumental music-teaching methods. The student will examine the ethical, legal, moral and occupational health and safety issues in relation to individual and group teaching instrumental music. The subject will provide an overview of music teaching as a career.
The subject will develop music leadership skills through the design, implementation and evaluation of an instrumental program and through the management and direction of ensembles.
Ensemble direction will require the student to manage the organisational requirements of an ensemble, direct the ensemble and to develop basic conducting technique.

Year 3 Semester 2

APM305 Arranging for a Large Ensemble
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of Arranging for a Large Ensemble is to extend skills and knowledge developed in the previous subject through the production of arrangement(s) for a large ensemble. This study will provide a forum for the continued development of compositional craft. In this subject the student will investigate combinations of instrument sections in large ensembles, analyse the textural qualities of combined sections, and arrange existing and original works for large ensembles. Instruments studied will include western and non-western instruments. The student will explore instrument section textures and extended instrument techniques.
Students will be required to apply concepts and develop original works in a style of their choice. Developed works will be performed by students and/or visiting artists.
The subject will require an integration of arranging and compositional techniques developed in previous subjects, continued critical analysis and evaluation of theoretical structure in music.
The subject will require self-directed study, independent practice and the development of a music folio.

APM306 Online Music Distribution
(EFTSL 0.125)
(Subject Cost $1500)
Online Music Distribution is the sixth in a sequence of six subjects that have as their focus the examination of music technology. The purpose of Online Music Distribution is to examine the formats and files for online distribution and publication of digital music products. In this subject the student will investigate current and emerging online technologies, examine copyright issues pertaining to digital publication, analyse methods of streaming audio, and develop an online site, which will allow for the distribution and promotion of digital music products. In this subject the student will be required to prepare original materials for online publication or transfer.
The studies in this subject will require an integration of skills and knowledge developed in previous subjects and will provide the student with a forum for the creative application of technology.
The subject will require independent research into online technologies and digital copyright laws. Independent practice into the development of an online music site is also required.

APM307 Creative Music Project
(EFTSL 0.125)
(Subject Cost $1500)
Creative Music Project is the sixth in a sequence of six subjects that aim to develop technical and creative skills in music performance. In this subject the primary focus is on student directed learning. The aim is to provide the student with the opportunity to plan, manage and present a musical performance in a professional setting that demonstrates creativity and
imagination and technical facility in music. The stylistic focus of ensemble work is unspecified. Through negotiation and collaboration students will establish a group and determine a stylistic focus for the group. In this subject the student will extend ensemble techniques through collaboration in group practice and performance.
The development of solo performance skills is through an individual program of instruction on a principal instrument.
Solo performance will encourage students to pursue their individual stylistic interests and to integrate concepts studied into ensemble presentations. The focus will be on the development of instrumental technique, self-expression, originality and repertoire. In this subject solo performances will reflect application of extended instrumental techniques and the use of creative improvisation.
In this subject the student will negotiate a music performance project for the ensemble with the supervising teacher. Projects developed will build on skills and knowledge developed in other subject areas. The student will be required to manage all elements of the music performance project based on a plan that includes the artistic intentions, time lines, roles and responsibilities, a promotional strategy and a presentation. The outcome is the presentation of a music performance in an ensemble setting.
The subject will develop the ability to work autonomously and collaboratively. It will develop organisational and leadership skills and provide the opportunity to apply knowledge and techniques in a professional context. The subject will provide an opportunity to demonstrate the development of learning, the synthesis of ideas and display creativity and imagination.

APM308 Music Leadership 2 – Community Music
(EFTSL 0.125)
(Subject Cost $1500)
The purpose of this subject is to develop knowledge of leadership and its application in community-based music organisations. In this subject the student will develop knowledge of the nature and extent of community-based music programs/organisations, research and evaluate the operations of selected community-based music programs/organisations, develop skill in the management and direction of community-based music programs/organisations.
The student will examine the concept of leadership for community based organisations that is based on empowerment through democratic decision-making. The subject will examine the philosophy of community-based music programs/organisations, and include a sociological and cultural study of community-based music programs/organisations. The student will critically examine management structures, sources of funding and income, legal issues and approaches to leading community-based ensembles.
The subject will examine community music structures, management and approaches to directing community-based ensembles. The subject will focus on the development and management of community-based groups, theories and methods of music leadership in a community setting, the design of community-based music programs, and strategies for community based ensemble direction.
In this subject the student will be required to undertake case studies of local music community groups and to participate in the management and direction of a community-based community group through practical placement.

Assessment Methods

Student assessments are based on a combination of:

  • practical demonstrations
  • aural and written exams
  • oral presentations
  • folio work

Materials

Package materials and a hanbook containing the booklist will be supplied upon commencement of the course.

Qualification

As part of the Australian Qualifications Framework this program is nationally recognised. On successful completion students will be awarded the Bachelor of Australian Popular Music.

NMIT Search

Links

Information for Students

bulletPoint Academic Calendar (including Census dates)
bulletPoint Contact Performing Arts Department
bulletPoint 2009 Fees
bulletPoint FEE-HELP
bulletPoint Higher Education Application Procedures
bulletPoint Information Sessions
bulletPoint Rules/Regulations
bulletPoint Student Services

Higher Education at NMIT

bulletPoint Meet the Staff
bulletPoint Higher Education Governance
bulletPoint NMIT Organisation Structure

NMIT - Vodcasts - Image

bulletPoint Performing Arts Vodcast

NMIT - Podcasts - Image

bulletPoint Bachelor of Australian Popular Music Podcast

   
QA Logo
 
 
 
Prepared by Manager, Corporate Communications.
Maintained by Website Developer and Administrator. Online Marketing.
Last modified: 2 October, 2008
www.nmit.vic.edu.au bulletPoint NMIT Disclaimer bulletPoint Privacy bulletPoint Contact NMIT bulletPoint Search
pageImage